tag:blogger.com,1999:blog-1637681142357586205.post8208360694168310413..comments2023-04-20T12:12:50.039-05:00Comments on Art and Product Licensing: Thoughts and Comments from Jim Marcotte: Snippets Spring 2014Jim Marcottehttp://www.blogger.com/profile/12023296085335282304noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-1637681142357586205.post-90373208761711411792014-07-23T11:23:59.071-05:002014-07-23T11:23:59.071-05:00You raise a valid point Jim. Between just today an...You raise a valid point Jim. Between just today and yesterday I read conflicting information from credible sources on Art Licensing group on LinkedIn and points raised on Tara Reeds latest ArtInfo Call featuring Kimberly Montgomery of Montage Licensing.<br />So what I do I take away from all of this ? Do what I do best, believe in my work, listen to people whom I respect (but don't consider it law), and keep pluggin'Anonymoushttps://www.blogger.com/profile/09955380619639878630noreply@blogger.comtag:blogger.com,1999:blog-1637681142357586205.post-42575518659095041662014-07-23T09:47:45.391-05:002014-07-23T09:47:45.391-05:00The scarey thing, I bet you ask individual artist,...The scarey thing, I bet you ask individual artist, who have had some success, about their first pop and they'll say it was just luck. Beyond the first it becomes familiarity to the consumer. I saw something the other day about Madonna. And it was admitted she wasn't a good singer in the beginning she was just a marketer, promoter's idea that took on a life of its own. People were told she was something special, they believed it and she eventually became something special. boon cartoonisthttps://www.blogger.com/profile/13311839858417363504noreply@blogger.com